Pacifica Studios is proud to announce the installation Eddie Kramer Signature Series and V-Series into the Pro Tools HD system. The Eddie Kramer Signature Series Signature Series plug-in's have been precision-crafted to capture his distinct sound and production style using custom multi-effect processing chains designed by Eddie himself. This will bring a new dimension to client studio sessions and film scoring projects at Pacifica Studios.

Eddie Kramer & Byron Nemeth at NAMM 2010 Anaheim, California.

Eddie Kramer on the Bass Channel:

"The idea behind the Eddie Kramer Bass Channel was to create a fat bass sound with a lot of presence, that cuts through without being overbearing. In general, the low-mid frequencies are accentuated, so it really pops on radio mixes. That way, you can always hear it clearly, even at low volumes on small speakers. The Bass Channel comes in two flavors: Bass1, which is less compressed, for a more dynamic sound that has room to breathe, and Bass2, a more aggressive sound with increased compression."

Eddie Kramer on the Vocal Channel:

"When mixing, there’s always a fight going on between the vocal and the rest of the track. For me, what makes a good mix is when all the elements combine seamlessly, complimenting one other. When we designed the Vocal Channel plug-in, we did it in such a way that the user can position the vocals within the mix, and then blend it back into the track, without it popping out, in such a way that it retains all its original clarity and presence." Vocal Channel features 2 flavors:

▪ Vocals 1, designed for classic rock vocals with a lot of dynamic range and intensity.
▪ Vocals 2, for gentler vocal performances that stay at smoother, steadier levels.

Eddie Kramer on the Drum Channel:

"The Drum Channel plug-in really captures the essence of my drum sounds. Whether you’re trying to achieve a huge Zep-like sound with loads of atmosphere, or are going for something more dry and down-to-earth like the Stones, or need a heavily-compressed, squashed, Hendrix-type sound, this is the plug-in that will get you there, quickly and easily. Since there are individual modes for bass drums, snares, and so on, you can really mix things up by creating your own hybrid drum kits, using your favorite elements from each."

Eddie Kramer on the Effects Channel:

"For the Effects Channel plug-in, I set out to recreate some of the basic elements that I use whenever I’m painting a sonic picture. Over the years, these elements have evolved to suit a variety of sources and styles, from whispering vocals to screaming guitars and beyond. Between the two, you’ll easily find the ideal setting for almost anything you can throw at it."

▪ H-Slap is a shorter delay that emulates tape at 15" per second, with EMT reverb at a medium setting.
▪ Z-Slap is a longer delay (7 ½" per second) with feedback & a longer setting on the EMT plate.




Eddie Kramer on the Guitar Channel:

"The Guitar Channel plug-in features settings for lead guitars and two types of rhythm guitars. When it comes to lead guitar, I want it to become a living, breathing organism, creating a palpable sense of excitement within in the mix. By combining the right amounts of EQ, compression, delay, reverb, and a touch of flange, these 5 elements, working together, make it come alive. For rhythm guitar, I try to get it “in your face” as much as possible, without over-processing the sound with EQ. By adjusting the amount of compression, and not overdoing the amount of space, I make sure that the guitar stays up front, where it belongs."

Waves V-Series:

Three state-of-the-art Vintage models that capture the sound of the consoles found in the world’s most exclusive recording studios.

Using time constants and a fixed nominal output gain, the V-Comp recreates the rich lush buss sound of the vintage 2254 hardware compressor. This super-responsive dynamics processor packs a recognizable musical punch heard on countless hit records. Its controlled, gentle compression can really glue a mix together.

Combining the best characteristics from two of the world’s most desirable console modules, the 1066 and 1073, this 3-Band EQ, with its classic cutoff points and adjustable High Pass Filter, is ideal for mixing and mastering. With the V-EQ3, it’s never been easier to achieve the rich classic sound of the ‘60s and ‘70s.

Modeled on the highly sought-after 1081 console module, this classic 4-band equalizer features detailed high frequency boosts plus High Pass and Low Pass Filters. The V-EQ4 captures the characteristic sound of vintage analog gear while providing the limitless flexibility and versatility of the digital environment.